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Year’s Best Dark Fantasy and Horror 2010
World Fantasy Convention is happening this weekend in the USA, and in conjunction with that event I’ve received word from editor Paula Guran that Year’s Best Dark Fantasy and Horror 2010 is now available. Here is the Table of Contents: THE HORRID GLORY OF ITS WINGS, Elizabeth Bear LOWLAND SEA, Suzy McKee Charnas COPPING SQUID, Michael Shea MONSTERS, Stewart O’Nan THE BRINK OF ETERNITY, Barbara Roden FROST MOUNTAIN PICNIC MASSACRE, Seth Fried SEA-HEARTS, Margo Lanagan A HAUNTED HOUSE OF HER OWN, Kelley Armstrong HEADSTONE IN MY POCKET, Paul Tremblay THE COLDEST GIRL IN COLDTOWN, Holly Black STRANGE SCENES FROM AN UNFINISHED FILM,Gary McMahon A DELICATE ARCHITECTURE, Catherynne M. Valente THE MYSTERY, Peter Atkins VARIATIONS OF A THEME FROM SEINFELD, Peter Straub THE WIDE,…
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horrible happenings
I’m in London at the moment, but I’ll be heading to Heathrow for Eastercon later today. Some time after 2pm this afternoon I’m back on “Arts Brew” on the Internet Radio Z103, and I’ll be discussing the forthcoming Cúirt International Festival of Literature in Galway, among other things. World Horror Convention in Brighton last weekend was tremendous fun, if somewhat exhausting. The samples of the Roisin Dubh comic book arrived just in time for the convention on Friday morning, and it was a real joy to hold the 10-page preview. The panel I moderated about Women in Horror was excellent: our panellists were articulate and the audience asked questions and…
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women in horror: a summary of recent posts
It’s time for a summary of the reaction across the Internet to my recent posts about the lack of representation of women in the SFX horror edition. As I mentioned last week David Barnett at the The Guardian blog brought up the issue immediately, and by the end of the week UK Feminist web site The F Word was running with the story. Once I posted editor Ian Berriman’s reply to my query, the response in the comments, on Internet articles and to me personally has been anger and frustration at the lack of knowledge displayed about women’s participation in the horror industry. As Cheryl Morgan put it, it was…
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a terrible treasure
I decided to pick a work to feature in a “Horror’s Hidden Treasures” section of my own since SFX failed so spectacularly to ask women to promote an under-rated horror gem. I’d encourage other women to do the same. There’s no pressure to pick a woman’s work, but I’m doing so because this writer hugely impressed me with her work. Since the debacle last year about the lack of representation of women in horror I’ve been paying more attention to the subject. Even I was under-educated in the variety of women working in the field, but I’m hardly immune to a system that promotes men’s fiction and accidentally forgets to…
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dear Alexandra
This blog post began as a reply to a comment made by horror writer and screenwriter, Alexandra Sokoloff, on my last blog entry, but got too long. It’s probably best if you read that first before continuing with this entry. I’ll wait. Back? Great. Here’s what my couple of lines morphed into: Dear Alexandra, Thank you for your note, and I appreciate your kind comments. I’m currently reading your novel The Price, as I’m engaged in a drive to read as much horror by women as possible before World Horror Convention. That means getting books from a lot of different sources, especially since women’s horror isn’t easy to come by…
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SFX responds: a long post
After a prompt from a friend I wrote to SFX on Sunday regarding my concerns about its Horror edition. Here is my email: To whom it may concern, I purchased the horror edition of SFX magazine at the weekend since I’m a fan of horror literature and media, and also write in the genre. I was surprised at the lack of representation of women in the articles in the magazine. In particular I was stunned by the “Horror’s Hidden Treasures” piece. You found the time to query 34 men for their opinions, but neglected to ask even one woman to recommend an under-rated gem in the horror field. Can you…
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SFX forgets women in horror
It’s ironic that during Women in Horror Recognition Month I have to draw attention yet again to another major publication that has a blind spot when it comes to women in horror. Five months ago I was irked when the British Fantasy Society published a collection of interviews of horror writers that omitted women. A minor Internet outrage ensued, which died down with the society’s quick and honest apology. Naïvely, I thought maybe a lesson had been learned. This month the British magazine SFX published a special edition devoted to Horror that overlooks women almost entirely. In his opening words editor Ian Berriman says: “You see, some people think horror…
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monstrous women are rarely rewarded
I’ve been meaning to write something for Women in Horror Recognition Month, which is a campaign to promote women who work within the horror genre during the month of February. I’m going to look at two films that I think deserve some attention and discussion: Ginger Snaps (2000) and Jennifer’s Body (2009). These two films serve as a useful balance, since the first is smart and thought-provoking, while the second is interesting but muddled. Ginger Snaps is based on a story by Karen Walton and John Fawcett, the screenplay was written by Walton, and directed by Fawcett. It’s a film about two sisters, Ginger (Katharine Isabelle) and Brigette (Emily Perkins),…
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BFS apologises for forgetting women
It’s worth mentioning that Guy Adams, Chair and Special Publications Editor for the British Fantasy Society (BFS), has issued an unreserved apology over omitting women from its latest collection. I’m sure he will not chastise me for replicating it in full here: Our new book, In Conversation: A Writer’s Perspective, Volume 1: Horror, edited by James Cooper, has come under justifiable flak for its all-male line up of interviewees. When James brought the manuscript to me with a view to our publishing it I know he intended no sexism in his selection of the authors but I feel deeply sorry that I didn’t flag the omission at the time. It…
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Horror wants women to scream, but not talk
This weekend the British Fantasy Society (BFS) is hosting its annual convention, Fantasy Con. Last night while on Facebook I noticed a news item, which constitutes an electronic “flyer”, about the convention. I immediately noticed the cover of a new book the BFS is launching at the convention: a collection of interviews with writers (the first in a trilogy) in which they discuss their genre. It’s called In Conversation: A Writer’s Perspective. Volume One: Horror. It’s edited by James Cooper, and is composed of 16 interviews with horror authors Ramsey Campbell, Tom Piccirilli, Greg F. Gifune, Conrad Williams, Joe R. Lansdale, Gary McMahon, Brian Keene, Stephen Gallagher, Jeffrey Thomas, Peter…
