• winter morning

    November fogged trees and Minnie

    For a dog that’s camera-shy – Minnie hates me taking her photo – she’s beginning to creep her way into a lot of my nature shots lately. I don’t mind as it often adds a spot of interest to the image. As you can see it’s cold today with wintery fog. I won’t say anything else about that image because it’s doing all the heavy-lifting. I’ve been churning away at the novel, and it’s over the 30K mark now. I had a couple of missed days for a variety of reasons but I’m in the swing of things now. I need to be because I have WexWorlds this weekend. I…

  • atwood interview

    The Handmaid's Tale

    There’s a very interesting interview from yesterday’s BBC Radio 4’s Women’s Hour with Margaret Atwood about her seminal text, The Handmaid’s Tale, which is twenty-five years in print this year. In the past Atwood has dismayed those of us who enjoy genre writing by trying to disassociate herself from science fiction, but thankfully when the issue of The Handmaid’s Tale being within a science fiction tradition was raised in the interview she didn’t argue against it – although she seemed more comfortable associating herself with the likes of Huxley and Orwell. I didn’t read the book when it first came out, but I was eighteen when it was lent to…

  • The Campaign for Real Fear: the top twenty

    Christopher Fowler and I have announced the winning stories in the Campaign for Real Fear. It’s been a great deal of work, but we were determined to select the winners in a timely fashion. Due to the large number of entries, and the high calibre of the final group of submissions, Chris and I have decided to select twenty winning stories. You will be able to read the first batch of ten stories in the June issue (#17) of Black Static followed by the second batch of ten stories in the August issue (#18), and they will be podcast by Action Audio. Top Twenty ‘Copy Degradation’ by Gemma Files; Canada…

  • give us your fear

    Chris and I are already receiving submissions for the Campaign for Real Fear, so keep them coming! We say: “Give us your terror, your fear, Your horrid tales yearning to alarm, The wretched stories of your teeming brain. Send these, the disturbed, nightmare-tossed to us, We lift our laptops to behold their forms!” With homage to Emma Lazarus and The New Colossus. Also, it pleases me no end that the Australian Horror Writers Association has announced its finalists for the 2009 Shadows Awards and three out of the five entries in the Long Fiction Award are women. There are also three women out of five in the short fiction category,…

  • Campaign for Real Fear

    Christopher Fowler and I have launched the Campaign for Real Fear: a horror short story competition. Send us your best 500-word story that explores horror in the 21st century. We want diversity of characters and themes, and beginner or pro can enter. The top ten stories will be published in Black Static, and podcast by Action Audio. The deadline for entry is 5pm GMT, on Friday the 16th of April. If you want change, you better write it. Information on how to enter is available on the Campaign for Real Fear web site.

  • Horror wants women to scream, but not talk

    This weekend the British Fantasy Society (BFS) is hosting its annual convention, Fantasy Con. Last night while on Facebook I noticed a news item, which constitutes an electronic “flyer”, about the convention. I immediately noticed the cover of a new book the BFS is launching at the convention: a collection of interviews with writers (the first in a trilogy) in which they discuss their genre. It’s called In Conversation: A Writer’s Perspective. Volume One: Horror. It’s edited by James Cooper, and is composed of 16 interviews with horror authors Ramsey Campbell, Tom Piccirilli, Greg F. Gifune, Conrad Williams, Joe R. Lansdale, Gary McMahon, Brian Keene, Stephen Gallagher, Jeffrey Thomas, Peter…

  • good reading and poor viewing

    Hurray! Today the postie delivered my handsome contributor copy of Shroud Magazine, issue 2. I’m sharing the edition with my rather more famous countryman, Kealan Patrick Burke, along with Colleen Anderson, Steve Vernon, Marie Brennan, Nathaniel Lambert, Nate Kenyon, Tom Piccirilli and Ken Bruen, and Christa M. Miller. It’s a beautiful, well-produced, magazine. I’m proud my short story “Home” is in it. Recently, a mysterious benefactor in RTÉ sent me a free copy of Halloween (2007), the version (re)written and directed by Rob Zombie. I’ve gone on record in the past of not enjoying Rob Zombie’s films. Mr. Zombie likes the monsters who chop up and mutilate other folks. The…

  • a splendid vision

    I don’t have as much time for reading as I’d like these days, which means I’m developing a hard-hearted attitude to books: if they don’t grip me I drop them. This is a severe departure in attitude from my halcyon days (when I was younger and had less commitments) where I would always struggle through to the end of a novel. It also means I’m innately suspicious of bigger books. If they just cut out the lard, I think, they’d slim down quickly. Some novels on the shelves could do with a editing regime from a personal trainer. So, when I picked up Un Lun Dun by China Miéville I…

  • weird thoughts

    I am a fan of weird – the word, and what it suggests. Its meaning is rooted in the Old English wyrd, which is associated with fate (it translates as Urðr in old Norse, which is the prophesying Norn of Norse mythology). If you look back further you see that the base *wer- means “to turn, bend”. Nowadays, weird is associated with something that seems odd, strange, bizarre, or uncanny (another fine crop of words). Its link with modern speculative fiction was cemented with the publication of the short story magazine Weird Tales in 1923. Today, it’s in vogue again with the arrival of what is termed new weird fiction.…

  • Yokohama Future

    Today is my first full day back in Ireland after my travels. So far I’m coping well with the shock of living in the past. This is only partly a joke, because there were moments during my stint in Japan where it felt like I was living in the future. In this post I’ll concentrate on my experiences at Worldcon in Yokohama. Warning: it’s a long entry. Martin and I arrived the day before the start of the convention, and resisted the tidal-pull of sleep, which was stronger due to the hot, muggy weather. Instead we navigated the subway system (not difficult), arrived at the Minato Mirai area, and from…