Ray Rahmey has a useful discourse on the difference between showing and telling. It’s aimed at prose writing, but it’s easy to translate the advice to screenwriting. I saw two films recently that had great moments in them, but failed overall (in my opinion) to deliver a coherent story. First up: It’s all gone Pete Tong. For the American readers “Pete Tong” is slang for “wrong”, and there is a double meaning because of the subject of the film. The film is half-mockumentary and half-drama about a fictional DJ called Frankie Wilde (Paul Kaye) and his adventures in Ibiza–the centre of the dance Empire. It’s booze, coke, girls, music videos…